Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings

Volume 5 • Issue 1 • May 2008
Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings
Althea Romeo-Mark Sea Breeze Journal of Contemporary Liberian Writings

THE CARIBBEAN PRESENCE IN LIBERIA

Althea Romeo-Mark
Guest Editor

"Although I was born in Antigua, Liberia was more of a home to me than Antigua ever was. I had lived there longer than in my birth home. Liberia connected the past of my African ancestors to my present. It connected a Virgin Islands past (in Wilmot Blyden) to a Liberian past. These pasts created a fascinating history which I share."
Althea Romeo-Mark was born in Antigua, West Indies, and grew up in the U.S. Virgin Islands. She is a a founding member of the Liberian Association of Writers and was Assistant Professor of English at the University of Liberia for fourteen years, from January 1976 to May 1990. She earned a Bachelor in Education and English from the University of the Virgin Islands in 1971, and a Master in Modern American Literature from Kent State University (Ohio) in 1974. In 1993, she earned a Certificate in Teaching English as a Foreign Language (CETEFIA) in Bern, Switzerland. An award-winning poet, she is also an essayist and short story writer, published in many scholarly and literary journals in the U.S., the Caribbean, Liberia, West Africa, Germany and England. She lives in Basel, Switzerland, and is presently working on a collection of poems, Neighbors in the Chicken Coop.

Poetry Collections by Althea Romeo-Mark
Beyond Dream: The Ritual Dancer (1989), Two Faces; Two Phases (1984), Palaver: West Indian Poems (1978) The Silent Dancing Spirit (1974)

Sea Breeze Journal of Contemporary Liberian Writings


Sea Breeze Journal of Contemporary Liberian Writings

Sea Breeze Journal of Contemporary Liberian Writings Sea Breeze Journal of Contemporary Liberian Writings

PHOTOGRAPHY

Doeba Bropleh, Photography Featuring photographs of Antigua and Liberia by Doeba Bropleh

CLICK ON THE PHOTOGRAPHS OR LINKS TO GO DIRECTLY TO GALLERIES:

ANTIGUA LIBERIA

Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings
Antigua, Photography, Doeba Bropleh Antigua, Photography, Doeba Bropleh Blue Lake, Bomi Hills, Liberia, Photography, Doeba Bropleh Kru canoes, West Point, Monrovia, Liberia, Photography, Doeba Bropleh


WORD FROM THE EDITOR

Guest Editor
"Being the guest editor was also a wonderful opportunity to bring Liberian and Caribbean scholars and writers together. It is my hope that this edition will generate an appreciation of the history and the ancestry that connects them and that it will lead to further interaction."
Althea Romeo-Mark


BOOK REVIEW

“Massa Day Done”: Sonny Jim of Sandy Point by S.B. Jones-Hendrikson
A book review of a Caribbean novel
Duncan McGibbon


ESSAYS

Albert Porte Of Crozierville
An excerpt from a soon-to-be-published book
Keith Neville Asumuyaya Best

Language and Religion in the Danish West Indies: Oldendorp's Findings
Vincent O. Cooper

Pioneering in Indigenous Banking
An excerpt from, Memoirs of A. Romeo Horton: For Country, Africa and My People
(published posthumously in 2005)

A. Romeo Horton

Jamaican Bloodline: A Personal Family History
Francis Leo Milner Horton, Sr.

Ackee and Codfish, My Grandfather's Table
Stephanie C. Horton

“(Black) Heads, You Win . . .”
Edgar Lake

The Choice of Islam: Edward Wilmot Blyden and the Rejection of Christianity in Black-Nationalist Discourse
Cassandra Mark

Amy Ashwood Garvey, Marcus Garvey’s First Wife, Visits Liberia in 1946-47
An excerpt from, Amy Ashwood Garvey: Pan-Africanist, Feminist and Mrs. Marcus Garvey No 1, Or, A Tale of Two Amies.
Tony Martin

The Barclays: A Barbadian-Liberian Connection
Althea Romeo-Mark

Marcus Garvey’s Liberian Dream Deferred
Althea Romeo-Mark

African Folklore: A Key Component Of Caribbean Survival
Wilton Gbakolo Sengbe Sankawulo, Sr.

A Wink from Juba Mek Betsy Understand: A Personal Look at Proverbs
Elaine Warren-Jacobs


FICTION

Dinner at Hayley’s
Robert H. Brown

Bobby
Cassandra Mark

Friday Night Fish Fry
Joanne C. Hillhouse

Sara of Sinoe
Tregenza Roach

Anancy and the Medicine Man
Lorraine A. Watson


INTERVIEW

Interwoven Histories: Dr. Emmanuel Mark from Grenada to Liberia
By Althea Romeo-Mark
Emmanuel Mark


POETRY

beautiful dreamer
poet and painter
charm city
duerme negrito

Cameron Browne

Mahogany: A Return to Writing the Belizean Poem (1987-2007)
Hurricane Hugo
Mafolie Hill Jumbie
Talking Drums
Vincent O. Cooper

Dragon Lady
Undone
Becoming Gilberto

Althea Romeo-Mark

Smoke Rings
Black Hair, My Hair
She Who Made Paper Flowers
Mother’s Care

Elaine Warren-Jacobs

I Going To Work
The Stone Wall
Darkness Has Its Blanket Put
Who Am I?

Yei Gausi Wuor


CALL FOR SUBMISSIONS: 2008 November Issue

“Intergenerational Cultural Transmission”:
Art, Culture, History, Society and Liberian Identity:
Reflections on the Meaningfulness of the Kendeja Cultural Center in the 21st Century

The 2008 November issue marks five years of electronic publication for us at Sea Breeze Journal of Contemporary Liberian Writings. The journal has been indexed in various prestigious humanities databases (Humbul Humanities Hub, University of Oxford, Brown University, Columbia University, Stanford University, among others), including receiving an invitation to submit information for inclusion in the Modern Language Association's International Index of Journals. Our editor and founder Stephanie Horton received the 2007 Victor E. Ward Educational Fund's Crystal Award for outstanding achievement in the Arts/Literary Works under the theme: “Liberian Women of Influence.” We are proud of this recognition of our hard work and what it means for Liberian artistic expression. However, we mark our fifth year anniversary with heavy and sobering reflections given the continued devaluation, marginalization, neglect, disrespect and exploitation of Liberian artistry across all disciplines, from all sectors of our society. Our stats have climbed steadily, but our fundraising thrust to generate donations for support in doing this work has fallen on rocky soil, and we witness the closure of a cultural institution to be replaced by an American-owned hotel – the only multi-ethnic national cultural location for the arts in the entire history of our country, that for many of us was a place enshrined in memory for its scenic beauty, cultural relevance, and actualized accomplishments.

We are accepting submissions for our anniversary issue under the umbrella theme, "Intergenerational Cultural Transmission: Art, Culture, History, Society and Liberian Identity: Reflections on the Meaningfulness of the Kendeja Cultural Center in the 21st Century". The plight of the dislocated artists that kept Kendeja going mirrors a deeper schism and disconnect in our national consciousness. We seek not to politicize the issue with incendiary screeds, but rather to offer reflective, provocative, transgressive intellectual thought against the status quo from various perspectives that goes deep and brings to public discourse and our national consciousness other ways of seeing and thinking about Liberian identity and the cultural arts.

The deadline for submissions is September 15, 2008. Please visit the submissions page for general guidelines.

Submit editorial inquiries and submissions to the Editor: editor@liberiaseabreeze.com
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Sea Breeze Journal of Contemporary Liberian Writings
Sea Breeze Journal of Contemporary Liberian Writings